Stonehedge

ALLPLANETS-HOLLOW Yahoo Group (Old Posts)
1

Hi everyone,

Tonight while flipping through the TV channels I landed on a program on the Discovery channel about the Druids, some of their rituals, and Stonehedge. Unfortunately, I only caught the tail end of the program. But, I have always been fascinated with Stonehedge, the mystery surrounding it, the mystical purpose of it, and when it was shown tonight on TV my old questions came up. How was it built? I always would conjure up ways in my mind on how they may have built it---w/o the machinery we have today such as cranes. But tonight, I recalled Mr. Cater's account of levitation produced by sound, drums and trumpet music, (pg. 520) and it became clear to me that this is the only possible explanation. Unless anyone has a better idea?

Another fascinating aspect of Stonehedge, at least for me, is that in all the pictures I have seen of it, there are absolutely no other boulders/large stones in sight. The land around it seems to be free of them. So, where did the stones come from to build Stonehedge, and how were they transported. The only answer I can come up with is teleportation, (Cater pg. 402) unless the musicians were like pied-pipers & somehow lead the stones across the land in a levitation march, somehow guided to where it would be built. If teleported, then I would have to believe they fined tuned it to an art, to be able to have the stones appear exactly where they wanted them to.

So, this has me wondering, if the ancients indeed employed levitation as a means of building the many shrines that are here for us to witness today, why did this art stop? Surely not because of the tools that were introduced in early times, unless there are tools we are unaware of that could actually accomplish these feats. Why would a tribe, or a people, stop using levitation and teleportation as means for building, and for many other things? This question baffles me? Any ideas?

Leslee

2

Leslee,

I've said it before, ane I'll sy it again- you are a thinkin' lady!

According to Cater, when objects become imbued with the right frequency of negatively-charged particles, the object tends to experience repulsion in relation to the Earth's magnetic field- which in turn is brought about by an electromagnetic radiation. Anyway, this repulsion is levitation. You have already mentioned Cater's comments about the Buddhists levitating stone, here they are:

LEVITATION PRODUCED BY SOUND

There have been many well‑authenticated instances of levitation being produced by sound. Walter P. Baumgartner cites a highly interesting case in an article entitled, "A Tibetan Leviation Technique," which appeared in the April‑June, 1978, issue of the publication, Energy Unlimited. A Swedish doctor by the name of Jarl, had the privilege of witnessing such a phenomenon performed by Tibetan monks at a monastery in 1939. Huge blocks of stone were levitated to a cliff ledge 250 meters above the resting place of the stones. The stones to be lifted were partially surrounded by a combination of drums and trumpets. After several minutes of playing, a given stone would begin to oscillate and then shoot into the air. It is highly significant that occasionally a stone would burst into pieces during its flight.

In view of principles already elaborated upon, the explanation is simple. The combination of sounds being focused on the object started a high rate of disintegration of soft particles permeating the stones, as they do all objects. This released harder electrons, which gradually decreased the overall positive charge effect of the stone. As this process continued, the resultant charge of the stone became negative. Consequently, the earth's gravity repelled it upward. Something akin to the Reich cloud‑buster effect, to be discussed in the next chapter, also took place during the process. The disintegrating soft particles in and around the stone created a void and a consequent rush of soft par ticles to the area. This added to the negative charge. Sometimes, too many hard electrons would be released, causing the stone to shatter.

Carl Von Reichenbach, whose work has already been discussed, actually showed that sound causes soft particles to disintegrate. He found that color effects are produced by sound, and the resulting colors are characteristic of the sound producing them. The colors, of course, are the result of soft electrons breaking up into their constituent photons of light.

It is not necessarily the hard electrons associated with atoms and electricity that are released during the levitation process. In fact, the gravity inducing radiations react far more strongly with soft electrons associated with ethers closer to that of the gravity producing electrons. Many of the soft particles permeating matter are of the extremely soft variety which are comprised of photons well below the infrared and the gravity range. These particles, as well as most of the others o f a harder nature, are not firmly locked within matter, and thus have little or no nullifying effect on the overall positive charge effect of matter as far as the gravity radiations are concerned. When such particles disintegrate, harder particles are released, which do become more intimately locked within matter to give it an overall negative charge.

Nullifying the net positive charge effect of matter will not necessarily affect the inertial properties to any great extent if the negative charges are not homogeneously and closely distributed throughout the mass. In fact, the inertial properties can even be increased, as is the case with the spinning top. The central portion is positively charged, while the outer I part has a strong negative charge. A rotating top has greater inertia and

less weight than is the case when it is at rest.

Levitation, of course, can also be produced by beaming soft electrons at the right concentration and comprised of photons of the correct frequency range into a body. This is likely the method employed by the ancients with what were called levitation discs, which were supposedly made of copper. Such metal of the right shape and mass, when struck to ring like a bell, could excite the atoms to the extent that a concentrated beam of levitating soft electrons would be ejected. Perhaps in conjunction with this levitating inducing sounds would also be produced. Gravity inducing radiations obviously have their limitations as far as levitation is concerned. Objects are affected only along the line of propagation and could not be employed for lifting objects directly above the ground unless the levitating device were to be held directly above them. This, of course, is not the case with the other methods.

Posted by Dean

Leslee's original comments:

Hi everyone,

Tonight while flipping through the TV channels I landed on a program on the Discovery channel about the Druids, some of their rituals, and Stonehedge. Unfortunately, I only caught the tail end of the program. But, I have always been fascinated with Stonehedge, the mystery surrounding it, the mystical purpose of it, and when it was shown tonight on TV my old questions came up. How was it built? I always would conjure up ways in my mind on how they may have built it---w/o the machinery we have today such as cranes. But tonight, I recalled Mr. Cater's account of levitation produced by sound, drums and trumpet music, (pg. 520) and it became clear to me that this is the only possible explanation. Unless anyone has a better idea?

Another fascinating aspect of Stonehedge, at least for me, is that in all the pictures I have seen of it, there are absolutely no other boulders/large stones in sight. The land around it seems to be free of them. So, where did the stones come from to build Stonehedge, and how were they transported. The only answer I can come up with is teleportation, (Cater pg. 402) unless the musicians were like pied-pipers & somehow lead the stones across the land in a levitation march, somehow guided to where it would be built. If teleported, then I would have to believe they fined tuned it to an art, to be able to have the stones appear exactly where they wanted them to.

So, this has me wondering, if the ancients indeed employed levitation as a means of building the many shrines that are here for us to witness today, why did this art stop? Surely not because of the tools that were introduced in early times, unless there are tools we are unaware of that could actually accomplish these feats. Why would a tribe, or a people, stop using levitation and teleportation as means for building, and for many other things? This question baffles me? Any ideas?

Leslee