Dean,
below is an excert from "Dulce: An ancient terminal to inner and outer space" I found under:
http://64.4.14.250/cgi-bin/linkrd?_lang=EN&lah=ee5d316a4e57ff3b5ef4ed3de28fd329&lat=982923873&hm___action=http%3A%2F%2Fwww.eagle-net.org%2Fdulce%2F
The light/sound mentioned reminds me of Etidorpha.
"Another confirmation that the DULCE base is a major terminal -- not only for other-planetary craft but also a nexus connecting several other underground systems -- was sent to us by a woman who knew Thomas Castello on a personal basis, and whose father had worked with Castello in what was referred to as "The Organization" [her exact words] which operated in the upper levels of the joint-interaction facilities near Dulce. The following description of one of the more ancient tunnels was given by Thomas Castello himself:
"The halls around the Dulce Base are slightly curved, and in most locations you can see what looks like an endless corridor. It is only when you glance up and see the high ceiling of the natural rock covering do you remember you are inside an immense cavern. The place has the feeling of infinity, or a sense of seeing something immemorial.
"I realize this place has been expanded repeatedly over many years. But somehow, a person tends to forget the written history the manual describes. The place feels ANCIENT. The Native Races of this planet have used the tunnels and caverns for centuries. Human hands too, added their personal touch in a way that makes you feel the passing of age. Here and there the architectural designs resemble the fantasy of Art Deco. Doors display the designs and angles that recall the playful grace of that era.
"From tunnel entrances stare down carved gargoyles and winged beings that cling to your memory much longer than they should. Those grotesque gargoyles are dark and look like a preview of the Nightmare Hall. Some of the faces of the frightful creatures depicted have lost details in a way that softens the ugliness. History has a way of erasing details and the memory of the original form. Just as well, perhaps the gargoyles were carved from live models. Maybe from some thing seen on the sixth level.
"One specific tunnel, the long tunnel to Taos, is completely different. The symbol that marks the portal is the symbol for marsh, or wet lands. The shape resembles the letter 'Z' with two cross lines.
"It was not until I had to make a 'goodwill run' to Taos to escort a foreign dignitary on a tour of the base, did I realize why the tunnel was so named. After a few miles the rock tunnel walls became mostly white in color and were decorated with carved plant life of all kinds. Here, I saw ancient fern trees with huge Rose like flowers depicted in beautiful relief. These beautiful walls portray a dense archaic tropical thicket. Beyond the trees, in the background, some unknown ancient mountains are depicted in the same clear style. I slowed the car, searched the scene, hoping to see animal or humanoid creatures, but there was none. No signs or signatures in sight, unless they were written in a long lost unrecognized hand. (Note: Was this one of the more ancient tunnels that was left by a prehistoric race, a tunnel which was already ancient at the time that the U.S. government AND the Reptiloids/Greys 'discovered' or 'took control of' the original underground systems? Perhaps a tunnel and an underground system that was excavated in prehistoric times by the ancestors of the Pueblo Indians of the four corners area whose legends claim that they were chased-out of the cavern world by invading reptilian forces - that is, according to Hopi-Apache descendant Robert Morningsky? - Branton)
"It looked like every plant on earth, ancient and modern, were faithfully displayed. Mile after miles of trees, wheat, corn, flowers and grasses graced the gleaming walls.
"It must be the most beautiful place on earth. Maybe it was created as a museum. Or perhaps a shrine to plant life. Regardless of the reason, there is NO WAY that place could have been made by the hands of MODERN man. These carved plants are in minute detail, and they look brand new.
"My eyes had quickly scanned the upper sections of the tunnel in hoping to find the source of the soft illumination that now seems to be coming from every where. I found no answers.
"I had stopped the electric car, wanting to touch those walls, in the hope I might guess the age upon closer examination. To my surprise the walls were covered with some transparent covering. Those walls felt like polished glass, and looked about a foot thick! The biggest shock was when I touched the astonishing gleaming wall. The slightest contact created a wave of quivering of the lights. What is even more surprising, was that the lights were INSIDE the glass! Starting as a soft gentle harmonic sound that resonated with the shimmering lights, and grew to a bone deep vibration that was subtle and surprisingly invasive, like someone speaking to me when I'm meditating. The tunnel echoed with musical tones. I struggled to isolate the difference between what I was hearing and what I was feeling. I could not separate them.
"I sensed that the tones were designed to provide information in ancient language. The changing tones were at first recieved at a rapid rate, that I couldn't understand. Like learning a foreign language, at first the words are endless sound, but after a while separate words are recognized. I know the musical tones are words and I recognize it as a lost language.
"I started the car, almost feeling light headed from the ongoing sounds. I wanted to stop the flow of words that were musical and pleasant. After I knew they were words [that I couldn't understand] I wanted the dialog to end. I felt those tones clear to my bones, and the tonal vibrations refused to leave me until I left the tunnel!
"It was one of the most profound experiences of my life, but I'm sure I wouldn't want to do it again!
Maya
ยทยทยท
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