The phenomena of crop circles has been around for several decades now , but till date , there is no proper explanation of who is making them and by what method .
Well , if you subscribe to the view that UFOs originate from inner earth , then crop circles can be traced back to the same source . Just for a moment , dwell on that thought - isn't it more likely that UFOs and crop circles originate from nearer home i.e. within our own planet , as compared to aliens visiting us from a different galaxy (some of the UFOs & crop circles might truly be connected to aliens) .
Well , I am not discounting the "extraterrestrial" possibility , but isn't the "intraterrestrial" scenario the more likely of the two ?
Next question is , why are these entities making these complex patterns in our farms ? What is their objective ? Those who have studied these designs in detail , have come to the conclusion that whoever these "entities" are , they are trying to convey some profound knowledge to us humans on the surface of the Earth . That knowledge is about stuff like the nature of reality , the hollowness of our planet , how to extract free energy from the ether , advanced mathematical concepts etc.
Unfortunately, mainstream science has taken the unreasonable and untenable view that all of the thousands of crop circles observed till date are just hoaxes being done by pranksters . Due to this closed mindset , they have gained no knowledge from these crop circles , many of which actually seem to depict a hollow earth/hollow planet like structure :
Has anyone analyzed these in relation to Sanskrit patterns? For some reason
sometimes these photos remind me of Sanskrit and given the potentiality of
Sanskrit being of inner earth origins, perhaps these should be studied with
a new lens.
Soretna , Sanskrit is indeed a scientific language . The Sanskrit Alphabet has 54 letters which is half of the sacred number 108. Sanskrit is perfectly suited to be used as a computer language and even NASA has had to acknowledge this .
Sanskrit is the most phonetically accurate language known to man and the root of all Indo-European languages . In Hinduism it is believed that Sanskrit is a divine language , gifted to humanity . The vibrations generated by speaking this language , create a positive effect on our mind and body .
Now coming back to crop circles , in fact quite a few of the crop circles discovered till date seem to depict quantum physics , quantum mechanics and the science of vibration . Crop circles are often found to even depict shapes from sacred geometry .
CROP CIRCLES AND QUANTUM MECHANICS
Many things have been said and written about the connection between crop circles, soundand music. Although this connection seems to be obvious at first sight, it turns out notto be plausible at all once we take a closer look at it!If there is a connection, it is one with quantum mechanics, with super strings.It's a connection with the nature of matter; not with music!Indeed: a lot has been said and written about the presence of diatonic ratios in thecrop circles' geometry. But let us take a closer look at diatonic ratios: what are theyreally?When we look at the different notes on for instance a piano, we see that they relate toeach other in a very specific way:
| First octave | 1 | 9/8 | 5/4 | 4/3 | 3/2 | 5/3 | 15/8 |
| Second octave | 2 | 9/4 | 5/2 | 8/3 | 3 | 10/3 | 15/4 |
| Third octave | 4 | 9/2 | 5 | 16/3 | 6 | 20/3 | 15/2 |
| Fourth octave | 8 | 9 | 10 | 32/3 | 12 | 40/3 | 15 |
| Piano notes | C | D | E | F | G | A | B |
These ratios create the harmonics in music and are therefore called diatonic ratios.They can also be shown geometrically, as follows:
| | | | |
These geometrical ratios are quite often found in the geometry of crop circles. In myprevious article I have shown that these ratios are a natural consequence of the type ofconstruction technique used to create the crop circles. They are a logical part of thecrop circles' geometry. As a result, the relationship "crop circles - music"seems to be obvious.However there is another reason to assume that music - or at any rate sound - plays animportant role in the crop circle phenomenon.In order to understand this we have to take a closer look at the nature of sound.Sound consists of vibrations that move forward by means of air pressure differences.Graphically it looks like this: In other words, sound can be reproduced as a wave with peaks and lows. Sound that movesthrough air shows peaks in places with the highest pressure, and lows in places with thelowest pressure. We can produce another tone that looks like this: When we produce both tonessimultaneously, we get this picture: The waves in this graph can be added up. This is called interference: it is theway waves correspond to each other, the way they can be added up. In the above example theresult is a horizontal line. The waves neutralise each other which results in no sound atall.We can make this visible by taking melted paraffin and adding powder which will floatthrough the paraffin. We will then add sound. The sound will move forward through theparaffin and the waves that arise this way will meet and interfere with each other.Together they will form extreme peaks and extreme lows, and there are also places wherethey will compensate each other. The latter happens when a peak meets a low: theyextinguish each other. This interference process creates a pattern with spots that vibratefiercely and spots that don't vibrate at all. An interference pattern arises. The powderwill concentrate on the spots with the least vibration, by which it makes the interferencepattern clearly visible for us!The patterns that are created like this are often found in crop circles.Does this mean there is a connection between music - or at least sound - and cropcircles?NO! This does not have to be a fact! It is even quite unlikely!The above mentioned interference patterns arise with all sorts of waves, not just soundwaves. Water waves show a similar pattern, just like radio waves. The interference patterndoes not say anything about the type of wave involved. The only similarity between thepatterns in the paraffin and the crop circles are the interference patterns! There are noindications whatsoever that the patterns in the crop are created by sound, or even thatthey refer to sound. The only possible indication is the presence of interference orrather the presence of interfering waves.The chance that these are sound waves is minimal, since sound has a major drawback: italways needs a medium through which it can move forward. A medium that can assume and passon the vibration of the sound source. Air is such a medium. If there is no medium soundcan not move forward. On the moon - with its vacuum - we can hear no sound. In otherwords: sound is not a universal phenomenon!This is not the case with Electro-magnetic waves, like for instance radio waves. Thesecan indeed move forward without the help of a medium. They are indeed universal.The only similarity between sound waves and Electro-magnetic waves is the ability tointerfere. They can both cause interference patterns. Apart from that, these waves haveabsolutely nothing in common. To put it differently: interference patterns say absolutelynothing about the type of wave involved. They only say something about the interaction ofwaves. The paraffin experiments visualise this interaction. They show us a graphicreproduction of interference. A graphic reproduction with an unprecedented geometry! Theyshow us that interference can be represented geometrically and that it has a stronglygeometrical character. It shows the same geometry as we find in the crop formations.But what about the diatonic ratios?In order to understand their involvement we have to make a quantum leap, a leap intoquantum mechanics. Quantum mechanics reached a height with the development of the StandardModel. All of the so far experimentally obtained data fitted perfectly in this model.Every experiment confirmed the Standard Model. The only problem was that the StandardModel was terribly ugly, complex and asymmetrical! And so, although everything seemed toconfirm the Standard Model, something also seemed to be wrong! Furthermore, the deeperscientists went down to the depths of the subatomic world, the more they discoveredstrange, exotic particles!For these problems concerning the Standard Model, scientists found a solution bydeveloping the superstring theory.When we make a string vibrate, we produce an audible tone. The pitch is determined bythe string's length. A string of a certain length will produce a tone that is specific tothat length, namely a tone with a frequency (=pitch) equal to the string's own vibration;a frequency in which the string will start to resonate. This own frequency depends on thelength of the string. All of this enables us to play the violin!Depending on the position of our fingers, we can play different notes. The note we hearis determined by the part of the string between our fingers and the bridge. By changingthe distance between our fingers and the bridge, we play different notes.Most essential here is the string, not the notes.Analogue to this John Schwartz and Michael Green developed their superstring theory,with infinitely thin strings that can resonate in different pitches. These vibrationscorrespond with the various strings. Schwartz and Green believe that, if we magnify anelementary particle under a microscope - which unfortunately we cannot do yet - we wouldno longer see particles but vibrations: the vibrations of a superstring! The rest of thesuperstring theory was further elaborated by Edward Witten.We can now deduce that it is not the elementary particles which are fundamental, butthe harmonics created by the vibrating superstring. Matter therefore does not exist theway we experience it. Since we cannot magnify subatomic particles with our currenttechniques, we think of these particles as being elementary and fundamental. According toSchwartz, Green and Witten however, this is only appearance. According to them, the stringand its vibrations are fundamental. Since a string is able to produce an infinite numberof harmonics (just like the many notes we can play on a violin) we will observe aninfinite number of particles.The superstring theory can deduce the character of particles from the resonatingvibrations of a string. It can also deduce Einstein's equations by stipulating the rightconditions on space-time. In fact, all theories before the superstring's - likeEinstein's, Kaluza's and the Standard Model - can be deduced from the superstring theory!ConclusionThe geometry and forms that we find in crop circles are strongly related with theharmonics and interference patterns created by vibrating strings.However there is no reason whatsoever to assume on this basis a connection with musicor sound. If there is a connection at all, it is one of quantum mechanics. It's areference to the nature of matter. Matter that does not exist the way we experience it inour day-to-day life. It's a reference to harmonics created by vibrating superstrings; theones that give us the sensation of matter!Copyright: Bert Janssen, 1998.
Return to the Crop Circle Connector
Well , if you subscribe to the view that UFOs originate from inner earth , then crop circles can be traced back to the same source . Just for a moment , dwell on that thought - isn't it more likely that UFOs and crop circles originate from nearer home i.e. within our own planet , as compared to aliens visiting us from a different galaxy (some of the UFOs & crop circles might truly be connected to aliens) .
Well , I am not discounting the "extraterrestrial" possibility , but isn't the "intraterrestrial" scenario the more likely of the two ?
Next question is , why are these entities making these complex patterns in our farms ? What is their objective ? Those who have studied these designs in detail , have come to the conclusion that whoever these "entities" are , they are trying to convey some profound knowledge to us humans on the surface of the Earth . That knowledge is about stuff like the nature of reality , the hollowness of our planet , how to extract free energy from the ether , advanced mathematical concepts etc.
Unfortunately, mainstream science has taken the unreasonable and untenable view that all of the thousands of crop circles observed till date are just hoaxes being done by pranksters . Due to this closed mindset , they have gained no knowledge from these crop circles , many of which actually seem to depict a hollow earth/hollow planet like structure :
Soretna , also in the article below , we see a direct connect between the crop circle phenomena and hollow earth . There seems to be a clear attempt by some higher intelligence to pass on esoteric knowledge to mankind dwelling on the outer surface of Earth :
How We Know Crop Circles Are MessagesTo The Hollow Earth
Sanskrit is the most phonetically accurate language known to man and the root of all Indo-European languages . In Hinduism it is believed that Sanskrit is a divine language , gifted to humanity . The vibrations generated by speaking this language , create a positive effect on our mind and body .
Now coming back to crop circles , in fact quite a few of the crop circles discovered till date seem to depict quantum physics , quantum mechanics and the science of vibration . Crop circles are often found to even depict shapes from sacred geometry .
CROP CIRCLES AND QUANTUM MECHANICS
Many things have been said and written about the connection between crop circles, soundand music. Although this connection seems to be obvious at first sight, it turns out notto be plausible at all once we take a closer look at it!If there is a connection, it is one with quantum mechanics, with super strings.It's a connection with the nature of matter; not with music!Indeed: a lot has been said and written about the presence of diatonic ratios in thecrop circles' geometry. But let us take a closer look at diatonic ratios: what are theyreally?When we look at the different notes on for instance a piano, we see that they relate toeach other in a very specific way:
| First octave | 1 | 9/8 | 5/4 | 4/3 | 3/2 | 5/3 | 15/8 |
| Second octave | 2 | 9/4 | 5/2 | 8/3 | 3 | 10/3 | 15/4 |
| Third octave | 4 | 9/2 | 5 | 16/3 | 6 | 20/3 | 15/2 |
| Fourth octave | 8 | 9 | 10 | 32/3 | 12 | 40/3 | 15 |
| Piano notes | C | D | E | F | G | A | B |
These ratios create the harmonics in music and are therefore called diatonic ratios.They can also be shown geometrically, as follows:
| | | | |
These geometrical ratios are quite often found in the geometry of crop circles. In myprevious article I have shown that these ratios are a natural consequence of the type ofconstruction technique used to create the crop circles. They are a logical part of thecrop circles' geometry. As a result, the relationship "crop circles - music"seems to be obvious.However there is another reason to assume that music - or at any rate sound - plays animportant role in the crop circle phenomenon.In order to understand this we have to take a closer look at the nature of sound.Sound consists of vibrations that move forward by means of air pressure differences.Graphically it looks like this: In other words, sound can be reproduced as a wave with peaks and lows. Sound that movesthrough air shows peaks in places with the highest pressure, and lows in places with thelowest pressure. We can produce another tone that looks like this: When we produce both tonessimultaneously, we get this picture: The waves in this graph can be added up. This is called interference: it is theway waves correspond to each other, the way they can be added up. In the above example theresult is a horizontal line. The waves neutralise each other which results in no sound atall.We can make this visible by taking melted paraffin and adding powder which will floatthrough the paraffin. We will then add sound. The sound will move forward through theparaffin and the waves that arise this way will meet and interfere with each other.Together they will form extreme peaks and extreme lows, and there are also places wherethey will compensate each other. The latter happens when a peak meets a low: theyextinguish each other. This interference process creates a pattern with spots that vibratefiercely and spots that don't vibrate at all. An interference pattern arises. The powderwill concentrate on the spots with the least vibration, by which it makes the interferencepattern clearly visible for us!The patterns that are created like this are often found in crop circles.Does this mean there is a connection between music - or at least sound - and cropcircles?NO! This does not have to be a fact! It is even quite unlikely!The above mentioned interference patterns arise with all sorts of waves, not just soundwaves. Water waves show a similar pattern, just like radio waves. The interference patterndoes not say anything about the type of wave involved. The only similarity between thepatterns in the paraffin and the crop circles are the interference patterns! There are noindications whatsoever that the patterns in the crop are created by sound, or even thatthey refer to sound. The only possible indication is the presence of interference orrather the presence of interfering waves.The chance that these are sound waves is minimal, since sound has a major drawback: italways needs a medium through which it can move forward. A medium that can assume and passon the vibration of the sound source. Air is such a medium. If there is no medium soundcan not move forward. On the moon - with its vacuum - we can hear no sound. In otherwords: sound is not a universal phenomenon!This is not the case with Electro-magnetic waves, like for instance radio waves. Thesecan indeed move forward without the help of a medium. They are indeed universal.The only similarity between sound waves and Electro-magnetic waves is the ability tointerfere. They can both cause interference patterns. Apart from that, these waves haveabsolutely nothing in common. To put it differently: interference patterns say absolutelynothing about the type of wave involved. They only say something about the interaction ofwaves. The paraffin experiments visualise this interaction. They show us a graphicreproduction of interference. A graphic reproduction with an unprecedented geometry! Theyshow us that interference can be represented geometrically and that it has a stronglygeometrical character. It shows the same geometry as we find in the crop formations.But what about the diatonic ratios?In order to understand their involvement we have to make a quantum leap, a leap intoquantum mechanics. Quantum mechanics reached a height with the development of the StandardModel. All of the so far experimentally obtained data fitted perfectly in this model.Every experiment confirmed the Standard Model. The only problem was that the StandardModel was terribly ugly, complex and asymmetrical! And so, although everything seemed toconfirm the Standard Model, something also seemed to be wrong! Furthermore, the deeperscientists went down to the depths of the subatomic world, the more they discoveredstrange, exotic particles!For these problems concerning the Standard Model, scientists found a solution bydeveloping the superstring theory.When we make a string vibrate, we produce an audible tone. The pitch is determined bythe string's length. A string of a certain length will produce a tone that is specific tothat length, namely a tone with a frequency (=pitch) equal to the string's own vibration;a frequency in which the string will start to resonate. This own frequency depends on thelength of the string. All of this enables us to play the violin!Depending on the position of our fingers, we can play different notes. The note we hearis determined by the part of the string between our fingers and the bridge. By changingthe distance between our fingers and the bridge, we play different notes.Most essential here is the string, not the notes.Analogue to this John Schwartz and Michael Green developed their superstring theory,with infinitely thin strings that can resonate in different pitches. These vibrationscorrespond with the various strings. Schwartz and Green believe that, if we magnify anelementary particle under a microscope - which unfortunately we cannot do yet - we wouldno longer see particles but vibrations: the vibrations of a superstring! The rest of thesuperstring theory was further elaborated by Edward Witten.We can now deduce that it is not the elementary particles which are fundamental, butthe harmonics created by the vibrating superstring. Matter therefore does not exist theway we experience it. Since we cannot magnify subatomic particles with our currenttechniques, we think of these particles as being elementary and fundamental. According toSchwartz, Green and Witten however, this is only appearance. According to them, the stringand its vibrations are fundamental. Since a string is able to produce an infinite numberof harmonics (just like the many notes we can play on a violin) we will observe aninfinite number of particles.The superstring theory can deduce the character of particles from the resonatingvibrations of a string. It can also deduce Einstein's equations by stipulating the rightconditions on space-time. In fact, all theories before the superstring's - likeEinstein's, Kaluza's and the Standard Model - can be deduced from the superstring theory!ConclusionThe geometry and forms that we find in crop circles are strongly related with theharmonics and interference patterns created by vibrating strings.However there is no reason whatsoever to assume on this basis a connection with musicor sound. If there is a connection at all, it is one of quantum mechanics. It's areference to the nature of matter. Matter that does not exist the way we experience it inour day-to-day life. It's a reference to harmonics created by vibrating superstrings; theones that give us the sensation of matter!Copyright: Bert Janssen, 1998.
Return to the Crop Circle Connector
Well , if you subscribe to the view that UFOs originate from inner earth , then crop circles can be traced back to the same source . Just for a moment , dwell on that thought - isn't it more likely that UFOs and crop circles originate from nearer home i.e. within our own planet , as compared to aliens visiting us from a different galaxy (some of the UFOs & crop circles might truly be connected to aliens) .
Well , I am not discounting the "extraterrestrial" possibility , but isn't the "intraterrestrial" scenario the more likely of the two ?
Next question is , why are these entities making these complex patterns in our farms ? What is their objective ? Those who have studied these designs in detail , have come to the conclusion that whoever these "entities" are , they are trying to convey some profound knowledge to us humans on the surface of the Earth . That knowledge is about stuff like the nature of reality , the hollowness of our planet , how to extract free energy from the ether , advanced mathematical concepts etc.
Unfortunately, mainstream science has taken the unreasonable and untenable view that all of the thousands of crop circles observed till date are just hoaxes being done by pranksters . Due to this closed mindset , they have gained no knowledge from these crop circles , many of which actually seem to depict a hollow earth/hollow planet like structure :