Buckets of Genesis - or - Bags of the Organizers (aka Creators)

There is much discussion that goes on about the "bags" or "purses" or "buckets" in ancient Mesopotamian sculptures and the cuneiform found on them.

After using AI to isolate the verbiage on the containers themselves, I believe I've found something interesting and may be a new consideration:

Re-reading Assyrian cuneiform as a field-driven recipe for life


1. A strange pattern on the stone containers / buckets / bags / whatever-you-want-to-call-them

Every carved relief of Ashurnasirpal II’s winged figures shows the same curious “handbag.”
Scholars label the text that covers each bucket a slice of the king’s “Standard Inscription” (titulary, genealogy, building brag). Yet a close sign-by-sign inspection of three well-photographed examples (British Museum BM 124563, BM 124564, and Met 32.143.4) shows:

  • identical sign clusters across buckets,
  • a four-line imperative syntax, not the third-person royal voice,
  • zero genealogical or geographic toponyms.

In other words, the text looks less like propaganda, more like a technical chant.


2. Literal sign reading (compressed into modern English)

  1. “Snare the breath-deep in this clay-skin.”
  2. “Bind it into living water; weigh the charge by the four-roads.”
  3. “Ignite the seed-spark within; let stone, clay, and flesh quicken.”
  4. “Stride outward; mist the world so order roots anew.”

Key lexemes
ZU-AB = upper wind / aether current
A.GIN = charged, life-giving water
NIG₂-SI = seed-spark (ignition catalyst)
E₄.GAL-FOUR = the cardinal grid


3. Mapping the litany onto physics and biology

Litany step Aether-physics frame Modern origin-of-life analogue
Snare breath-deep Capture high-pressure aether flux, form vortical charge Draw free energy (UV, lightning, electric field) into a bounded system
Bind into life-water Structure water; create charge-separated layers (Pollack EZ) Lipid vesicle membranes; colloid interfacial water
Ignite seed-spark Dielectric breakdown seeds oscillatory domains Proton-motive force, redox couple, Miller–Urey spark
Mist four-roads Disperse micro-charged droplets along gradients Aerosol protocells seeding ecological niches

Causal graph (minimal)

Aether pressure drop
        ↓
Surface charge on structured water
        ↓
Oscillatory electron / proton domains  ← spark
        ↓
Autocatalytic organics
        ↓
Droplet dispersal across gradient
        ↓
Localized proto-metabolism

(Speculative but testable.)


4. Where the orthodox view runs aground

Mainstream Assyriology, shaped by secular historiography, reduces all kingly relief text to propaganda. That epistemic filter:

  • presumes function = public boast,
  • ignores technical vocabulary found in kiln, distillation, and metal-quenching tablets,
  • strips ritual objects of operational meaning.

Bias noted: a modern materialist lens can flatten genuinely technical myth into “mere ceremony.”


5. Experimental implications

  1. Aether pressure differentials – Measure charge density in vortex-condensed water; compare with open-air controls.
  2. Seed-spark ignition – Apply short high-voltage pulses to a structured-water vessel; assay for amino-acid yield.
  3. Cardinal-grid dispersal – Mist charged droplets through orthogonal magnetic gradients; monitor self-assembly of membranous micro-spheres.

Positive results would strengthen the thesis that the bucket text encodes a portable proto-biogenesis protocol.


6. Why this matters for present research

  • Dynamic Aether Models (DAMs) engineers need historical hints on charging condensed media; the "bucket chant" offers one.
  • Origin-of-life chemistry gains a field-driven route that bypasses purely thermal synthesis models.
  • Comparative archaeology (Göbekli Tepe “bags,” Olmec man-bags, Brahma’s kamandalu) suddenly looks like a long, continuous tradition of “portable cosmotech.”

7. Next steps

  • Acquire high-resolution 3-D scans of multiple buckets to confirm sign order and analyze varying messages in a more isolated fashion.
  • Perhaps recreate the vessel in quartz or copper-lined ceramic; instrument with micro-electrodes.
  • Publish open-data results regardless of outcome to counteract confirmation bias on both sides.

Take-away

Strip away two millennia of royal gloss, and the Assyrian bucket reads less like a vanity plaque, more like a concise, four-step recipe for turning raw aether (etheric energy) and water into living, self-organizing droplets. If that reading survives experimental scrutiny, humanity has just rediscovered a forgotten chapter in the handbook of creation.

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I have isolated a few more "bags" and they all seem to - in some way or another - always carry nearly identical messages and constructs, simply more compressed versions or different verbiage for the same concepts. Truly incredible so far...

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@Soretna , All Vedic Rishis (ancient Sages) used to carry a "kamandal" , where they used to keep holy water for their rituals . This is how a "kamandal" looked like - notice the striking similarity with the Sumerian image you have highlighted :-

Bandudu / Kamandal :

The Fish-man divinity carrying a basket (Bandudu) and bestowing the Life-giving ambrosia of Resurrectionon on his name as the so-called "goddess Nina".

The Basket which Fish-man is carrying is known in India as Kamandal. In whichever country you find this sign of Kamandal it proves the presence of early Sumerian Aryan civilization.

This sort of statues are found to be in Sumerian Aryan civilization. In India and many other countries Aryan Brahmins of Sumerian civilization used to carry this sort of Basket known as Kamandal. Now a days we can find Non-Aryan Monks in India using Kamandal because they want to copy ancient Aryan Brahmins.

Bandudu and similarity between Sapt Rishis i.e. 7 Sages described in Vedic Aryans and Sumerian Aryans :

One of the great riddles in Mesopotamian sacred art concerns the image of anthropomorphic winged figures called Apkallu holding a mullilu (tree fruit) in one hand, and a banduddû — a container — in the other. It appears throughout Sumer and Babylon, and half a world away in Yucatan; six thousand years earlier, it was carved in relief upon Pillar 43 at Gobekli Tepe, one of the world's oldest standing stone enclosures. But what exactly was the purpose of this container? A look at cross-cultural symbolism in the images provides an answer.

The Apkallu are a group of seven sages, emissaries and mediating figures entrusted by a creator god to bring the civilizing arts to humanity following a catastrophic flood (Sapt Rishis i.e. 7 Sages). Their story is repeated almost verbatim in diluvial myths of many ancient cultures, the only changeable aspect being their names. The quintessential image of the Apkallu is that of two eagle, or perhaps falcon-headed people standing either side of a flowering tree, picking its fruit, and the manner in which they hold the container suggests the fruit are to be placed in said receptacle. Sometimes the figure of the supreme deity Ahura Mazda is depicted inside a winged disc above the axis of the tree, implying it is close to God, and thus, wisdom. This culturally shared image is known as the World Tree or Tree of Knowledge, and served as both focal point and foundation of all Mysteries teachings and traditions.

Regards

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